12/31/2023 0 Comments Hawaiian slack key guitar![]() THE VOTERS: Trey Anastasio, Dan Auerbach (The Black Keys), Brian Bell (Weezer), Ritchie Blackmore (Deep Purple), Carl Broemel (My Morning Jacket), James Burton, Jerry Cantrell (Alice in Chains), Gary Clark Jr., Billy Corgan, Steve Cropper, Dave Davies (The Kinks), Anthony DeCurtis (Contributing editor, Rolling Stone), Tom DeLonge (Blink-182), Rick Derringer, Luther Dickinson (North Mississippi Allstars), Elliot Easton (The Cars), Melissa Etheridge, Don Felder (The Eagles), David Fricke (Senior writer, Rolling Stone), Peter Guralnick (Author), Kirk Hammett (Metallica), Albert Hammond Jr. Featuring Keith Richards on Chuck Berry, Carlos Santana on Jerry Garcia, Tom Petty on George Harrison and more. V7 to I or the I7 to IV pattern for example.We assembled a panel of top guitarists and other experts to rank their favorites and explain what separates the legends from everyone else. ![]() Also see if you can start hearing parts of chord progressions. Listen to recordings and see if you can hear the difference between these two types of vamps. A II7 V7 I vamp could be substituted in Ulupalakua for example. ![]() There are many! Remember that vamps can be V7 I or II7 V7 I. See how many other songs you can find the have II7 V7 I or VI7 II7 V7 I progressions. This had a very strong influence on Hawaiian composers. This cycle is used often in Swing and Jazz music. II is the “V” of V, and V is of the V of I. This song uses the same first four bars as Puamana then uses a cycle of dominant 7th chords going VI7, II7, V7, I. I | I7 | IV | I | VI7 | II7 | V7 | I | V7 | I | The steel guitar often takes a solo here but ‘ukulele and slack key guitar also works beautifully for pa’ani (solos) during vamps. It is also a moment for an instrumental break. It is a break in the vocal melody and a moment for hula dancers to koholo (pause before the next verse) and kahea (call out the first words of the next verse). Vamps are two bar phrases that end each verse before a new verse starts. This is a very typical Hawaiian vamp in bar 9 and 10 but is also used early in the song at bar 7. This progression also uses a II7 chord pulling to the V7 chord. A C7 chord pulls nicely to F for example. This song uses a dominant 7th I (I7) chord in the second measure leading to the IV chord in the third measure this is a very common chord motion that is used again and again. The rest of the progression uses I and V7 chords. We use the IV chord of F in the key of C in this song. We are only using the I and V7 chords in this song Think of the progression as a series of Roman numerals and then try them in different keys. Here are some popular Hawaiian song progressions to study. A good example of this is a vamp that II7 V7 | I | Hawaiian chord progression often change minor chords to dominant 7th chords: ii and vi often become II7 and VI7. These are the major chords in the chord family. The most commonly used chords are the I, IV, and V or V7 chords. Here is the chord scale for the keys listed above: The seventh chord in the chord family is diminished(viidim). ![]() ![]() Dominant seventh chords have upper case Roman numerals with a 7 (V7). Major chords have upper case Roman numerals (I) and minor chords have lower case Roman numerals (ii). These chords are often giving Roman numerals to identify where they appear in any given key. Major Minor Minor Major Major Minor Diminished If you build a chord on each note in a scale you get this sequence: Here are the numbers and four scales–C, D, G and F Learning the family of chords and how a basic numbering system works to identify chords in progressions and keys can really help as you memorize songs, change from one key to another, improvise, compose, and develop your ear.Īny major scale consists of seven notes. Most Hawaiian songs are built on a series of chords that repeat in short cycles. ![]()
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