12/27/2023 0 Comments Mumford and sons ontour access![]() ![]() “The GotR shows were at some really cool venues, but every venue was different. The diversity of venues that they play in is what’s great about working for them.Īlthough sometimes we could fly large arrays, other times we only had two stacks of six K2s. And the L-Acoustics system is so flexible that you can switch from day to day.”Īccording to Howieson, the performance of the L-Acoustics rig dovetails nicely with Pollard’s expectations. That’s one of the main reasons Chris is attracted to it.” He’s always looking for an organic, musical sound, and the K1/K2 system is magic for that. “We all like consistency from venue to venue, and typically Mumford & Sons have very little of that on the tour schedule, mixing up venue types along the way-sheds, arenas, sports fields, stadiums,” says Pollard. “Capacity shoots up and down from day to day and we need to be able to adjust for that with as little fuss as possible. The K1/K2 combination works a treat, and Jamie’s understanding of what I like to hear when voicing the system provides the consistency from which to mix the show.” It needs to be adaptable, and consistent. With no two shows alike, “I do a lot of my legwork before we get to the venues. That’s the beauty of L-Acoustics’ Soundvision software,” notes Howieson, who taps into a comprehensive library of worldwide venues mapped by himself, as well as L-Acoustics and other engineers. ![]()
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